Our 2026 listening resolutions: from Radiohead to Kendrick Lamar, critics try to get into music they’ve never liked
Streaming’s algorithms make it easy to avoid whole discographies – so in the interest of deeper listening, our writers dedicate time to the ones who might have got away The first time I heard Joni Mitchell, in 1997, she was looped across the chorus of Janet Jackson’s single Got ’Til It’s Gone. The song’s credits would educate me on the sample’s origins; I had previously assumed Big Yellow Taxi was an Amy Grant original. The second time I heard a Mitchell song was when Travis covered the beautiful River as a B-side. Continue reading...
Streaming’s algorithms make it easy to avoid whole discographies – so in the interest of deeper listening, our writers dedicate time to the ones who might have got away
The first time I heard Joni Mitchell, in 1997, she was looped across the chorus of Janet Jackson’s single Got ’Til It’s Gone. The song’s credits would educate me on the sample’s origins; I had previously assumed Big Yellow Taxi was an Amy Grant original. The second time I heard a Mitchell song was when Travis covered the beautiful River as a B-side.
Continue reading...