The Bonfire Party by Sean O’Brien; Plastic by Matthew Rice; Retablo for a Door by Michelle Penn; Jonah and Me by John F Deane; Intimate Architecture by Tess Jolly
The Bonfire Party by Sean O’Brien (Picador, £12.99)
This sombre collection showcases O’Brien’s varied use of forms and subject matter, exploring themes of history, remembrance of war and political conflict, death, time, the passing of friends and loved ones as well as human desire and culpability. A central sequence entitled Impasse is inspired by Georges Simenon’s Maigret novels. These poems plunge us into the landscape of the detective hero’s world, a process O’Brien describes as “analogous to dream-life, where certain motifs (cities, railway stations, libraries in my case) recur without ever abolishing the mystery that animates them”. The penultimate poem of the final sequence ushers in an elegiac, pensive tone as the speaker reminds us not to forget “birdsong / the descant of the rising lark / that never ends, composed of silence”. The book reinforces O’Brien’s authority as a chronicler of our times, “love and death consorting as they must”.
Plastic by Matthew Rice (Fitzcarraldo, £12.99)
This book-length poem explores the experiences of a night worker turned poet. Structured as a continuous narrative, it illustrates the frustrations, inequities and relentless cycle of 21st-century manual labour: “The night is proletarian, a morgue of ghosts / given the present is a borderline”. Rice documents the tragic incidents and surreal imaginings that occur within the nightmarish confines of a plastic moulding factory. “Once, in this building, a kid clocked off night shift / for good at the end of a rope / another’s heart gave out at 3am / performing a task as menial as mine.” This sardonic, bleakly moving book interrogates ideas of working-class masculinity and intergenerational trauma, with “hell as an idea of what work could be”; there are glimpses of hope in poetry itself, “the treasure buried in my father’s field”.
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The Bonfire Party by Sean O’Brien; Plastic by Matthew Rice; Retablo for a Door by Michelle Penn; Jonah and Me by John F Deane; Intimate Architecture by Tess Jolly
The Bonfire Party by Sean O’Brien (Picador, £12.99) This sombre collection showcases O’Brien’s varied use of forms and subject matter, exploring themes of history, remembrance of war and political conflict, death, time, the passing of friends and loved ones as well as human desire and culpability. A central sequence entitled Impasse is inspired by Georges Simenon’s Maigret novels. These poems plunge us into the landscape of the detective hero’s world, a process O’Brien describes as “analogous to dream-life, where certain motifs (cities, railway stations, libraries in my case) recur without ever abolishing the mystery that animates them”. The penultimate poem of the final sequence ushers in an elegiac, pensive tone as the speaker reminds us not to forget “birdsong / the descant of the rising lark / that never ends, composed of silence”. The book reinforces O’Brien’s authority as a chronicler of our times, “love and death consorting as they must”.
Plastic by Matthew Rice (Fitzcarraldo, £12.99) This book-length poem explores the experiences of a night worker turned poet. Structured as a continuous narrative, it illustrates the frustrations, inequities and relentless cycle of 21st-century manual labour: “The night is proletarian, a morgue of ghosts / given the present is a borderline”. Rice documents the tragic incidents and surreal imaginings that occur within the nightmarish confines of a plastic moulding factory. “Once, in this building, a kid clocked off night shift / for good at the end of a rope / another’s heart gave out at 3am / performing a task as menial as mine.” This sardonic, bleakly moving book interrogates ideas of working-class masculinity and intergenerational trauma, with “hell as an idea of what work could be”; there are glimpses of hope in poetry itself, “the treasure buried in my father’s field”.