‘The boy’s contented face, his red hair matching the pig’s – you couldn’t plan for it’: Kelli Radwanski’s best phone picture
Remote photography didn’t dilute the intimacy of this blissful moment in the Nevada sunshine Sara Weir’s five children had just woken up and were roaming their home in Nevada when this shot was taken. It was 7am and photographer Kelli Radwanski was after the morning light; Weir had another child on the way and had hired Radwanski to capture their family life. All the kids were feeling playful, ready to show off their talents, silly faces and prize possessions. As the eldest son wandered into the frame, holding his pot-bellied pig, Radwanski captured the moment – while sitting in her office chair in Oregon. “Remote photography was developed during the pandemic and a handful of us still use it as one of our primary art forms,” Radwanski says. “I used a special app that took over Sara’s phone camera, an iPhone 13, and the day before the shoot she showed me around her home from the phone, so I could seek out light and vignettes that would be compelling in telling their story. We used a tall standing tripod to hold the phone and I had Sara place it where I wanted it to go. It worked beautifully for moving all five of them in and out of scenes. I’ve photographed more than 500 people in 14 countries this way.” Continue reading...
Remote photography didn’t dilute the intimacy of this blissful moment in the Nevada sunshine
Sara Weir’s five children had just woken up and were roaming their home in Nevada when this shot was taken. It was 7am and photographer Kelli Radwanski was after the morning light; Weir had another child on the way and had hired Radwanski to capture their family life. All the kids were feeling playful, ready to show off their talents, silly faces and prize possessions. As the eldest son wandered into the frame, holding his pot-bellied pig, Radwanski captured the moment – while sitting in her office chair in Oregon.
“Remote photography was developed during the pandemic and a handful of us still use it as one of our primary art forms,” Radwanski says. “I used a special app that took over Sara’s phone camera, an iPhone 13, and the day before the shoot she showed me around her home from the phone, so I could seek out light and vignettes that would be compelling in telling their story. We used a tall standing tripod to hold the phone and I had Sara place it where I wanted it to go. It worked beautifully for moving all five of them in and out of scenes. I’ve photographed more than 500 people in 14 countries this way.”