‘The most culturally Iranian of all Iranians died so far from Iran’: the towering legacy of Bahram Beyzaie
Beyzaie, who has died aged 87, wove myth, folklore and classical Persian literature into stories that defend against a regime which sought to obliterate them One of the last messages I sent to the great Iranian stage and screen writer-director Bahram Beyzaie was a recent photograph, taken by a friend, of the interior ruins of Tehran’s oldest cinema, Cinema Iran. There, on one of the walls, hung posters of Beyzaie’s 1988 film Maybe Some Other Time, positioned above and below the torn portraits of the supreme leaders of the theocratic regime. The symbolism – the ideological ruin; cinema and the future – was too striking for something so accidental, particularly given that Beyzaie’s theatre and cinema are intricate mazes of carefully constructed and overlapping allegorical moments. Continue reading...
Beyzaie, who has died aged 87, wove myth, folklore and classical Persian literature into stories that defend against a regime which sought to obliterate them
One of the last messages I sent to the great Iranian stage and screen writer-director Bahram Beyzaie was a recent photograph, taken by a friend, of the interior ruins of Tehran’s oldest cinema, Cinema Iran. There, on one of the walls, hung posters of Beyzaie’s 1988 film Maybe Some Other Time, positioned above and below the torn portraits of the supreme leaders of the theocratic regime.
The symbolism – the ideological ruin; cinema and the future – was too striking for something so accidental, particularly given that Beyzaie’s theatre and cinema are intricate mazes of carefully constructed and overlapping allegorical moments.
Continue reading...