This Is Where the Serpent Lives by Daniyal Mueenuddin – set to be a standout novel of 2026
From an acclaimed short-story writer, this epic of power and class across generations in Pakistan is brutal, funny and brilliantly told Imagine a shattering portrayal of Pakistani life through a chain of interlocking novellas, and you’ll be somewhere close to understanding the breadth and impact of Daniyal Mueenuddin’s first novel. Reminiscent of Neel Mukherjee’s dazzling circular depiction of Indian inequalities, A State of Freedom, it’s a keenly anticipated follow-up to the acclaimed short-story collection with which he made his debut in 2009, In Other Rooms, Other Wonders – also portraying overlapping worlds of Pakistani class and culture. We begin in the squalor and bustle of a Rawalpindi bazaar in the 1950s, where the heartbreaking figure of a small child, abandoned to his fate and clutching a pair of plastic shoes, is scooped under the protection of a tea stall owner. He proceeds to raise the boy as his own son, having only daughters, but Yazid is also adopted by the stall’s garrulous regulars, who teach him both to read and to pay keen attention to the currents of class, wealth and power which flow past him every day. Continue reading...
From an acclaimed short-story writer, this epic of power and class across generations in Pakistan is brutal, funny and brilliantly told
Imagine a shattering portrayal of Pakistani life through a chain of interlocking novellas, and you’ll be somewhere close to understanding the breadth and impact of Daniyal Mueenuddin’s first novel. Reminiscent of Neel Mukherjee’s dazzling circular depiction of Indian inequalities, A State of Freedom, it’s a keenly anticipated follow-up to the acclaimed short-story collection with which he made his debut in 2009, In Other Rooms, Other Wonders – also portraying overlapping worlds of Pakistani class and culture.
We begin in the squalor and bustle of a Rawalpindi bazaar in the 1950s, where the heartbreaking figure of a small child, abandoned to his fate and clutching a pair of plastic shoes, is scooped under the protection of a tea stall owner. He proceeds to raise the boy as his own son, having only daughters, but Yazid is also adopted by the stall’s garrulous regulars, who teach him both to read and to pay keen attention to the currents of class, wealth and power which flow past him every day.